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marketing kit
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- GLASS CHILD -
Glass Child is a revealing depiction of the sibling relationship between Kayah, a young man with Down Syndrome and his younger sister Maitreyah, highlighting their connection and how their lives have been affected by other people’s perceptions.
The term “glass child” refers to the sibling of someone with special needs who often becomes a facilitator in the family, someone who is “looked through”.
Kayah is Maitreyah’s oldest brother. Throughout their lives Maitreyah has watched him be left out, ridiculed or ignored without understanding why. Glass Child puts a microscope on their love and how their relationship has grown. It questions how we behave when we find the difference we inevitably look for and asks us to examine why we search for difference when we share so much in common. It is poignantly personal and inclusive, incorporating complex themes of trust, communication, sense of self and our place in the world.
This project evolved from the close relationships between members of The Farm and the Guenther family that has grown over the past six years. Kayah and Gavin Webber began working together with the short film The Battle and the subsequent touring work The Crossing. These works have been seen and performed across five continents and showcase a working relationship that is integrated and collaborative in the truest sense.
Maitreyah is a founding member of their Greenhouse youth ensemble, led by The Farm’s performer/choreographer Kate Harman.
The piece is created and performed by Kayah and Maitreyah Guenther; directed by Kate Harman and Gavin Webber, with set and costume design by Rozina Suliman; lighting design by Chloe Ogilvie; and composition and sound design by Anna Whitaker.
About the show
REVIEWS
“THis is the real shit”
“Hands down the best piece of storytelling I’ve seen this year”
FULL REVIEW HERE
2021 | March | Home of The Arts (HOTA) | Gold Coast, QLD
2022 | October | Home of The Arts (HOTA) | Gold Coast, QLD
2023 | May/June | Queensland Performing Arts Centre | Brisbane, QLD
2025 | Feb/March | National Tour | Venues and Dates TBC
production History
Sometimes brash, always bold and insightful, The Farm’s dance-theatre work shows a unique ability to connect with anyone, from dance aficionados to theatre virgins, and has been described as the ‘gateway drug to contemporary dance’. Our company is built on a choreographic legacy that spans 20 years. In the last 6 years, based on the Gold Coast, we have been pushing the boundaries of contemporary dance by challenging preconceptions of what dance is and where it can be viewed. From a drive-in B grade horror performance in a Showground, to a 48 hour durational improvisation on a sandbar, we have proven ourselves to be bold re-imaginers of the ways dance can affect the lives of everyday Queenslanders.
about the company
Marketing material
Any variation to the requirements below must be agreed with The Farm.
Marketing materials download
BILLING
<your Venue>
presents
Glass Child by The Farm
Produced by The Farm
CREATIVE TEAM
Created by: Kayah Guenther, Maitreyah Guenther, Kate Harman and Gavin Webber
Performed by: Kayah Guenther & Maitreyah Guenther
Direction by: Gavin Webber & Kate Harman
Lighting Design: Chloe Ogilvie
Composer & Sound Design: Anna Whitaker
Set & Costume Design: Rozina Suliman
Animation: Rozina Suliman & Kayah Guenther
SHORT COPY
Please note: this is indicative copy only. We will work with your marketing teams to create copy best suited to your presentation context.
Glass Child is a poignantly revealing depiction of the sibling relationship between Kayah, a young man with Down Syndrome and his sister Maitreyah. Expressed through dance, theatre and storytelling Glass Child highlights their connection and how their lives have been affected by other people’s perceptions. The term ‘Glass Child’ refers to the sibling of someone with special needs who often becomes a facilitator in the family, someone who is “looked through”. Kayah is Maitreyah’s oldest brother & was born with Down Syndrome. Throughout their lives Maitreyah has watched him be left out, ridiculed or ignored without understanding why. Glass Child puts a microscope on their love and how their relationship has grown. It questions how the rest of us behave when we find the difference we inevitably look for. It asks us to examine why we search for difference when we share so much in common.
Long Copy
Please note: this is indicative copy only. We will work with your marketing teams to create copy best suited to your presentation context.
Glass Child is a poignantly revealing depiction of the sibling relationship between Kayah, a young man with Down Syndrome and his sister Maitreyah. Expressed through dance, theatre and storytelling Glass Child highlights their connection and how their lives have been affected by other people’s perceptions. The term ‘Glass Child’ refers to the sibling of someone with special needs who often becomes a facilitator in the family, someone who is “looked through”. Kayah is Maitreyah’s oldest brother & was born with Down Syndrome. Throughout their lives Maitreyah has watched him be left out, ridiculed or ignored without understanding why. Glass Child puts a microscope on their love and how their relationship has grown. It questions how the rest of us behave when we find the difference we inevitably look for. It asks us to examine why we search for difference when we share so much in common. The sibling relationship is best expressed through the words of the lead performers Maitreyah and Kayah Guenther. “Kayah is a brother of blood, but also a friend I rely on to lift my spirits. Down Syndrome carries many challenges for him, but it gifts him a love that is truly majestic, he sees spiritual beauty in places where I do not, which in itself gives him a strength I will only know through him” – Maitreyah Guenther “When Maitreyah was a little girl and fell over I would help her up and now she helps me up. I want people to see inside me and Maitreyah, the love, frustration, anger and the flower I have for her.” – Kayah Guenther
Logos download
- The Farm
- Arts Queensland
- HOTA Home of the Arts
- City of Gold Coast
Please note:
Logos must be included on all advertising and promotional material associated with the tour and performances of Glass Child unless explicitly agreed otherwise, including, but not limited to, season brochures, flyers, posters, advertisements, media releases, promotional videos, web pages and programs.
Acknowledgements
Glass Child has been supported by HOTA Home of the Arts and the City of Gold Coast through HOTA’s Creative Development Program. The Farm is supported by the Queensland Government through Arts Queensland. The Farm is funded by the City of Gold Coast
Please note:
Acknowledgements must be included in addition to logos where space allows, including, but not limited to, season brochures, flyers, web pages and programs. These should also be acknowledged in speeches and announcements where appropriate.
image/video index
Images Download
Video - Trailer
Video - Behind The Scenes
Duration: 70 mins
Age suitability: 12+
Warnings : Use of some words which may be considered offensive to people with lived experience of disability.
artist bios
Gavin Webber
Co-Creator/Co-Director
Gavin started dancing late after many lost years spent hitch-hiking, skiing, writing, camping and studying. Eventually he decided to start making art instead and joined Meryl Tankard’s Australian Dance Theatre and following that, Belgian company Ultima Vez. Throughout his career Gavin has worked between Australia and Europe and was Artistic Director of Dancenorth from 2005 to 2009. He took the company from regional Australia to national and international touring and then left for Europe once again to join PVCtanz in Germany. In 2017 he was awarded the Sidney Myer Individual Performing Arts Award, in 2018 The Farm won a Helpmann for TIDE, in 2019 a Drover’s Award for Cockfight and in 2020 an Ausdance award for TIDE. Gavin still writes, camps and studies but the hitch- hiking and skiing is over for the time being at least.
Kate Harman
Co-Creator/Co-Director
Kate Harman is an Australian dancer and choreographer. Influenced by her years working in Germany within mixed genres has resulted in her work taking on various forms (performance, installation, duration performance and participatory works made with young people and amateurs). She is a founding member of contemporary performance group The Farm and with them has created numerous works including the Helpmann Award winning TIDE. Kate completed her dance training at QUT and has worked as a collaborator and performer with La Boite Theatre Company, Dancenorth, PVCtanz (Germany), KLARA Theatre (Switzerland), David and Ochre Dance Company. Her works have been presented nationally and internationally in contexts such as Dance Massive, Darwin Festival, Bleach Festival, Festival 2018 (for the Commonwealth Games), the United Kingdom through Dance Touring Partnership and GAM, Chile.
Kayah Guenther
Co-Creator/Performer
Kayah Guenther is a regional New South Wales based artist whose practice crosses dance and theatre and is deeply collaborative and inclusive. He has a wide range of experience as a performer, co-creator and co-choreographer including working with Philip Channells, Neridah Matthaei, Gabriela Green Olea and Travers Ross. In 2015, Kayah co-choreographed and co-performed The Crossing with Gavin Webber (The Farm) which has since toured nationally and internationally. The same year, he collaborated with HW Collective on the multi award-winning short film, The Battle, as part of the Screenworks Createability program. Kayah received an inaugural HOTA Home of the Arts’ Creative Development Program grant in 2019 which supported him to begin co-choreographing Glass Child with his sister, Maitreyah. He also currently has projects in development with Gabriel Comerford (Tasdance) and Paul Gazzola (OSCA).
Maitreyah Guenther
Co-Creator/Performer
Maitreyah Guenther began dancing at the age 11, and later pursuing Dance/Theatre at the age 15. She has a deep love for dance, theatre, and writing. She has taught integrative dance classes at studio Aperio, and co-choreographed a 20 minute piece that she co-performed with her brother Kayah at the World Down Syndrome Conference in Scotland in 2018. An integral part of her journey with dance and theatre has been her training with The Farm, in their youth ensemble GreenHouse since 2017. She is currently working with The Farm co- creating a new work, Glass Child. Rozina Suliman – Set and Costume Designer Rozina Suliman is a theatre designer, community artist and maker with a background in installation art, independent curating and arts administration. Rozina’s work as a designer for live performance spans dance, theatre, opera, musical theatre, puppetry and outdoor spectacle theatre. She has worked with both large scale companies and independents in Queensland and interstate, including; Opera Queensland, Black Swan State Theatre Company, Woodford Folk Festival, Phluxus 2 Dance Collective, Lisa Wilson Projects, The Last Great Hunt, Ochre Contemporary Dance Company, LINK Dance Company, Ballet Theatre of Queensland, Timothy Brown Choreography, Claire Marshall Choreography and Connect 2 Productions. Rozina has designed and facilitated community art projects in both urban and regional locations and run workshops for primary and secondary students as well as adults. She holds a Bachelor of Fine Art from the Queensland College of Art (2005) and a Bachelor of Performing Arts (Production & Design) from the Western Australian Academy of Performing Arts (2017).
rozina suliman
Set and Costume Designer
Rozina Suliman is a theatre designer, community artist and maker with a background in installation art, independent curating and arts administration. Rozina’s work as a designer for live performance spans dance, theatre, opera, musical theatre, puppetry and outdoor spectacle theatre. She has worked with both large scale companies and independents in Queensland and interstate, including; Opera Queensland, Black Swan State Theatre Company, Woodford Folk Festival, Phluxus 2 Dance Collective, Lisa Wilson Projects, The Last Great Hunt, Ochre Contemporary Dance Company, LINK Dance Company, Ballet Theatre of Queensland, Timothy Brown Choreography, Claire Marshall Choreography and Connect 2 Productions. Rozina has designed and facilitated community art projects in both urban and regional locations and run workshops for primary and secondary students as well as adults. She holds a Bachelor of Fine Art from the Queensland College of Art (2005) and a Bachelor of Performing Arts (Production Design) from the Western Australian Academy of Performing Arts (2017).
Chloe Ogilvie
Lighting Designer
Chloe Ogilvie is a Yamatji Nanda woman from Western Australia, where she graduated from the Western Australian Academy of Performing Arts specialising in Lighting Design. Chloe works mostly as a designer but has crossed over into other areas such as production management and event coordination. Chloe has been a resident artist with Black Swan for three years and is currently co-curating the Maali Festival. Chloe Ogilvie is also a member of the arts collective The Farm where she has designed and production managed a range of shows including Throttle, Cockfight (Drover Award Winner), Ninth Wave, TIDE (Helpmann Award Winner) and Depthless. Other highlights of hers include, Spinifex Gum (LD/ALD), Bungul (ALD), The Visitors (LD), Winyanboga Yurringa (Belvoir, ALD), Fever and the Fret (Yirra Yaakin, LD), Bayala (Sydney Festival, Event Coordinator) and Toast (Maiden Voyage Theater Company, LD).
Anna Whitaker
Composer and Sound Designer
Anna Whitaker is an award-winning Brisbane based sound designer, composer and audio engineer with a palate for experimental, acousmatic works and surround sound composition. She graduated from Queensland Conservatorium of Music with a Bachelor of Music Technology, and since has designed and composed for productions including MONA FOMA, Festival 2018, Bleach* Festival, La Boite Theatre Company, tasdance, Brisbane Festival, MELT Festival, and The Farm. Her vast background in classical music and technology-based sound art result in musical concoctions from the traditional and contemporary worlds. Anna received the 2019 Matilda Award for Best Sound Design and Composition alongside colleague Luke Smiles for their work on Throttle, and she also designed for The SUI Ensemble’s La Silhouette, which won Best Independent Production. Anna’s unique voice is also evident in her installation works which have exhibited at Bleach* Festival, HOTA, Flowstate and Metro Arts.
“Glass Child is a brilliant, visceral, finely strung play, with that most rare of qualities, true emotional connection”
-Nothing ever happens in Brisbane
“Kayah is a brother of blood, but also a friend I rely on to lift my spirits. Down Syndrome carries many challenges for him, but it gifts him a love that is truly majestic, he sees spiritual beauty in places where I do not, which in itself gives him a strength I will only know through him”
- Maitreyah Guenther
“When Maitreyah was a little girl and fell over I would help her up and now she helps me up. I want people to see inside me & Maitreyah, the love, frustration & anger. & the flower I have for her.”
- Kayah Guenther